I recently saw an advert for the new EHX Slapback Echo reissue pedal and thought it was a cool little thing and would make a nice project. The original pedal came out in 1978 and was about as simple as it could get. There was one “Blend” knob to mix the straight and delayed signal, and […]
I’d like to share a couple of things I’ve had kicking around on my desk for a long while. The first one was a simple optical tremolo, and for this second StompLFO project, we’re going to use the StompLFO to apply modulation to a PT2399 delay. This is actually very simple to do! PTWobble, StompLFO […]
This page collects together just the information you need if you’re intending to build one of the Electric Druid effects pedal/stompbox projects. For each pedal, you only really need the construction guide, which includes the full bill of materials (BOM) and a wiring diagram for the PCB in the enclosure. We also provide a […]
The Digitech DOD PDS-1550 was a member of the 1980’s Digitech “Dual pedal” range. It’s a pretty weird thing, and that’s partly why I’d like to take a closer look at it here. During my analysis of this pedal, I’ve discovered its dirty secret. Let’s get one thing out of the way early on though […]
Flangers are generally regarded as one of the most complicated pedals to build. A typical design has tons of chips and lots of circuit elements. Flangelicious isn’t like that. By using a microprocessor to generate an LFO-modulated clock signal directly, we can get rid of a lot of the non-signal path stuff and add features whilst we’re about it. […]
Recently I’ve been working on a four second digital delay with tap tempo and delay trails. There are lots of digital delay projects already, but the vast majority of them are based on the PT2399, which limits both the length of the delay and the sound quality. A quick summary of the features: 0 […]
What’s a “compander”? It’s a simple way to make your circuit quieter! So how does it work? Let’s say we’ve got a fairly noisy effect, like a BBD. The basic idea is that you make quiet signals louder before you put them through the effect, and then you make them quiet again after the effect, […]
I’ve been curious about Chorus for a while, since I’ve been working on and off with chorus design myself. There were a few things I didn’t understand, like what the relationshp is between the modulation LFO’s waveshape and the frequency modulation of signals going through the chorus. You’d think that if you use a sinewave […]
