Pretty much every synthesizer has a lowpass filter, but far fewer include a highpass filter. Today I’d like to take a quick look at a few that do. I’m leaving aside synths that have more sophisticated multimode filters that can be set up as highpass, and just looking at the few that included a simple […]
The Jupiter 4 was Roland’s first polysynth in 1979. Given that the Prophet 5 had been released the previous year, Roland were definitely playing catch-up, and the design looks notably less “modern” than Sequential’s game-changing instrument. Nonetheless, the Jupiter 4 is well thought of and sounds great, with a character of its own. It’s the […]
We’ve recently started stocking Alfa’s clone of the famous old Roland IR3109 filter chip. This is the chip that was inside a ton of Roland synths, including the SH-101, Jupiter 6 and Jupiter 8, Juno 6/60 and even the Juno 106, although in that case it was hidden in a potted module! I thought it’d […]
Let’s continue our deep dive into analogue drums with a look at something even earlier – the Korg KR-55. This is a preset drum machine from 1979. It uses a Read-Only Memory (ROM) to store patterns, but it has no processor, unlike the Boss Dr. Rhythm we looked at. Consequently the digital side of this […]
The Boss Dr Rhythm DR-110 was introduced in 1983 and was the second drum machine Roland had made under the Boss label, following the frighteningly basic DR-55 in 1980. It was also the last drum machine that Boss made before the Dr Rhythm series moved onto digital samples. The Linn Drum (LM-2) was released in […]
Last time we looked at reconfigurable filters, filters that include switches to rearrange parts of the circuit during normal use. However, that’s not the only way to produce different responses from a single filter circuit. This time, we’ll look at another approach: pole mixing. “Pole mixing”? It sounds like stirring a cake with a broom handle… […]
The TR-909 uses a hardware implementation of an LFSR as its noise generator. We’ve dealt with LFSR noise generators in a few other articles, but we’ve only looked at firmware implementations, so it might be fun to see how the same thing is done in hardware. The circuit is composed of three parts; the shift register […]
What do Roland’s “Cross Mod” or “Metal Sync” really do? There are quite few people asking this question on the internet, but no-one has much of an answer. Here’s a few forum discussions I found about it: https://www.harmonycentral.com/forum/forum/Keyboards/acapella-18/330134- http://forums.rolandclan.com/viewtopic.php?f=59&t=54410 https://music.stackexchange.com/questions/57210/what-exactly-is-the-cross-modulation-on-roland-jupiter-and-jx-analog-synthesiz/71048 Ok, so Harmony Central was never going to provide a solid technical answer, but the Roland Clan […]
There was a discussion on the SynthDIY mailing list recently about how the early digital drum machines like the LinnDrum or the Oberheim DMX used to change the pitch of drum sounds by simply changing the sample rate. They literally just played the samples back faster or slower, exactly like speeding up or slowing down […]
What is a “Multimode filter” anyway? It’s a filter which can provide more than one response. So it might offer a choice of 2-pole or 4-pole lowpass responses, or it might be switchable between lowpass and highpass, or it might have lowpass, bandpass, and highpass outputs. There are basically three techniques for building multimode filters, […]
