The Boss Dr Rhythm DR-110 was introduced in 1983 and was the second drum machine Roland had made under the Boss label, following the frighteningly basic DR-55 in 1980. It was also the last drum machine that Boss made before the Dr Rhythm series moved onto digital samples. The Linn Drum (LM-2) was released in […]
I was exchanging a few emails with a customer recently, and they suggested designing a chip that allowed you to define an LFO shape with a set of controls – obviously sliders would be perfect for something like this, like a Graphic EQ for LFOs! The idea was that you’d have some waveform sliders, plus […]
First, a quick history of overdrive pedals. Boss got the ball rolling in 1977 with the OD-1, one of the first pedals in their now-famous “compact” series, and the first proper “overdrive” pedal – before that, they were all called “Fuzz” or “Distortion”. This pedal was part of the three releases that started the series, […]
I’d like to share a couple of things I’ve had kicking around on my desk for a long while. The first one was a simple optical tremolo, and for this second StompLFO project, we’re going to use the StompLFO to apply modulation to a PT2399 delay. This is actually very simple to do! PTWobble, StompLFO […]
I’d like to share a couple of things I’ve had kicking around on my desk for a long while. They also show a couple of ways to use vactrols. One is a simple optical tremolo, presented below, and the other is a modulated delay effect. StompLFO Optical Tremolo One very simple way to produce a […]
Last time we looked at reconfigurable filters, filters that include switches to rearrange parts of the circuit during normal use. However, that’s not the only way to produce different responses from a single filter circuit. This time, we’ll look at another approach: pole mixing. “Pole mixing”? It sounds like stirring a cake with a broom handle… […]
The LM13700 is a bonafide classic synth chip, plus it’s cheap and *still* available decades after it was originally introduced. Ok, it’s no longer the state of the art, and its noise and distortion figures are pretty poor, but that’s actually a part of its charm. It’s definitely got that “vintage sound”. So let’s have […]
The TR-909 uses a hardware implementation of an LFSR as its noise generator. We’ve dealt with LFSR noise generators in a few other articles, but we’ve only looked at firmware implementations, so it might be fun to see how the same thing is done in hardware. The circuit is composed of three parts; the shift register […]
This page collects together just the information you need if you’re intending to build one of the Electric Druid effects pedal/stompbox projects. For each pedal, you only really need the construction guide, which includes the full bill of materials (BOM) and a wiring diagram for the PCB in the enclosure. We also provide a […]
What do Roland’s “Cross Mod” or “Metal Sync” really do? There are quite few people asking this question on the internet, but no-one has much of an answer. Here’s a few forum discussions I found about it: https://www.harmonycentral.com/forum/forum/Keyboards/acapella-18/330134- http://forums.rolandclan.com/viewtopic.php?f=59&t=54410 https://music.stackexchange.com/questions/57210/what-exactly-is-the-cross-modulation-on-roland-jupiter-and-jx-analog-synthesiz/71048 Ok, so Harmony Central was never going to provide a solid technical answer, but the Roland Clan […]
