The Jupiter 4 was Roland’s first polysynth in 1979. Given that the Prophet 5 had been released the previous year, Roland were definitely playing catch-up, and the design looks notably less “modern” than Sequential’s game-changing instrument. Nonetheless, the Jupiter 4 is well thought of and sounds great, with a character of its own. It’s the […]
We’ve recently started stocking Alfa’s clone of the famous old Roland IR3109 filter chip. This is the chip that was inside a ton of Roland synths, including the SH-101, Jupiter 6 and Jupiter 8, Juno 6/60 and even the Juno 106, although in that case it was hidden in a potted module! I thought it’d […]
The Boss Dr Rhythm DR-110 was introduced in 1983 and was the second drum machine Roland had made under the Boss label, following the frighteningly basic DR-55 in 1980. It was also the last drum machine that Boss made before the Dr Rhythm series moved onto digital samples. The Linn Drum (LM-2) was released in […]
The TR-909 uses a hardware implementation of an LFSR as its noise generator. We’ve dealt with LFSR noise generators in a few other articles, but we’ve only looked at firmware implementations, so it might be fun to see how the same thing is done in hardware. The circuit is composed of three parts; the shift register […]
What do Roland’s “Cross Mod” or “Metal Sync” really do? There are quite few people asking this question on the internet, but no-one has much of an answer. Here’s a few forum discussions I found about it: https://www.harmonycentral.com/forum/forum/Keyboards/acapella-18/330134- http://forums.rolandclan.com/viewtopic.php?f=59&t=54410 https://music.stackexchange.com/questions/57210/what-exactly-is-the-cross-modulation-on-roland-jupiter-and-jx-analog-synthesiz/71048 Ok, so Harmony Central was never going to provide a solid technical answer, but the Roland Clan […]
This article is a look at sub-oscillators, a common tactic for fattening up the bottom end, particularly in synths with only one oscillator, or only one oscillator per voice. Classic examples include the Roland Juno 106 and SH101, and the Korg Polysix. More recently, sub-oscs turn up on a lot of modern analog synths since […]
To celebrate the 2016 return of the CEM3340 chip, I thought I’d do another page in my series looking at how various synths implemented classic synth chips (the others being CEM3320 Filter designs and SSM2044 LP Filter designs). This is especially useful right now, since many people have bought a few CEM3340s or V3340s or AS3340s for their […]
The Roland SH-101 is a late-era analogue monosynth which uses a microprocessor to perform keyboard scanning and various related functions, much like the Sequential Pro-One. Since the original uP is a 40-pin DIP, it would be possible to replace it with a more modern 40-pin DIP uP, like the PIC 16F777, or with a modern […]
This page is a brief look at the technology of the Roland Juno series digitally controlled oscillators. The specific scheme presented here was introduced in the Juno 106 in 1984, but the same basic DCO design turned up in many Roland instruments through the 1980s (including the JX-3P, JX-8P, JX-10 and the MKS modules based […]
